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Harmony assistant metric modulation1/3/2024 Pan, in particular, saliently indexes the tenacious spirit ofĬreativity at the core of the Carnival arts. What this blog post (and many like it) forcefully communicates is that: Narell’s kinda music is unequivocally NOT “We Ting.” While these slogans ( “We Kinda Music” and “We Ting”) may on the surface appear to embody the same ideological orientation toward the shared expressivity, collective festivity, and ramajay characteristic of the Trinbagonian Carnival arts, in this presentation I suggest that “We Kinda Music” and “We Ting” represent mutually untranslatable truths about the centrality of Trini cultural ownership and authority relative to the Carnival arts, the ambiguous value for musical innovation within the history of Panorama, and the function of competition as a medium of both creativity and control.Ĭalypso, Pan, and Carnival share related histories and, in the mid-20th century, these expressive genres formed the basis for what became a uniquely Trinidadian national identity. Maynard to “Pulling No Punches: Andy Narell, Arranger for birdsong Steel Orchestra, Speaks on the 2014 Panorama Season” feature on When Steel Talks, March 2014 ( ). I demand musical independence I refuse to be colonised What We have created puts food on his table so just remain silent and observe.īlog response by Keith P. This thing goes beyond notes and silence. You must be aware of the political aspect of music because it exists. This man is out of place trying to impose his experience, wherever it originates on MY cultural experience, this is what WE express, this was born out of our rejection of all things colonial. >WHILE (slide 6a, blank slide) many pan people in Trinidad and beyond are outspoken about their love of Narell’s music, many Panorama fans in Trinidad have expressed vehement critiques about his recent tenure as a foreign arranger: In 2014, when the birdsong Steel Orchestra played Andy Narell’s competition arrangement bearing the same title, however, the band did not score well enough to even advance to the final round of the competition - an unequivocal message from the judges: “We Kinda Music” is not for Panorama. They actually say that here: ‘Panorama is It is the only place in the world where you have an orchestral music festival and they call it a war. “Trinidad is the most competitive society I know. Ramajay (v., passive): the act of letting go, breaking away.Īs defined by the authors of the “My Panyard” page ( ). In this tune, Sparrow identifies three important elements of the genre: its capacity to induce >“RAMAJAY (slide 3),” its status as an internationally popular musical idiom, and its basis as a shared, or collective, form of Carnival expressivity. The lyrics of the Mighty Sparrow's tune, “We Kinda Music,” address the powerful and festive spirit of calypso. The Mighty Sparrow - Slinger Francisco 1976, (Sparrow vs. I will sing de melody, you will sing in chorus with me and soon you will see. This kinda music, is we kinda music and we kinda music have rhythm and soul.Ĭome along and join with me in a happy song. This kinda music would make people lose control. National Academy for the Performing Arts Campus Kayleen Justus, Assistant Professor of Ethnomusicology, Kennesaw State University, Georgia, USA - March discussion exploring how the cultural mores and traditions of the steelbands of Trinidad and Tobago may affect the placement of Panorama tunes played by birdsong Steel Orchestra, as designed by the contemporary arranger Andy Narell. The (Paradoxical) Marginalization of Andy Narellĭr. _'We Kinda Music'_ (presentation slides).pdf _'We Kinda Music' is 'Not For Panorama' - The (Paradoxical) Marginalization of Andy Narell (Kayleen Justus, 2016).pdf The Steelbands (Pan) of Trinidad and Tobago ARCHIVES DatabaseĮEd - Square brackets delineate and number the end of each page for reference purposes (as appropriate) or enclose - eEd. The (Paradoxical) Marginalization of Andy Narell by Dr Kayleen Justus - 2016
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